Painting the color layer language

Through the development of oil painting, you can see the beauty of the color layer is necessary to develop and create.
Painting paint thick heap of features and strong plasticity of other kinds of painting can not match, this feature enablesoil painting perception, rhythm and intensity of resonance with people’s thoughts and feelings. The role of the pen moves, shaping not only completed the task of modeling, but also a direct impact on the texture effect of the screen. Rembrandt, Rubens, are good at to master and control the texture, because texture is directly communicated with the artist’s psychological feelings, affecting the work efforts to infection. The reasonable performance of the so-called texture includes not only the texture on the object texture imitation and reproduction, and also includes a description of the performance of the overall mood of the picture. In the tradition of realist painting, the texture is very capable of performing the reproduction task of texture, delicate and rough texture of the object sense are available to the appropriate texture to imitate, but this is a very passive behavior, while the texture of the real that the beauty of those can express the rhythm of the screen and the artist’s emotions, with the texture of a highly harmonious order. This texture is often beyond the limitations of the texture and the spirit of the gas through the heart of the whole picture and the viewer, become detached from the concrete color layer. In this sense, it is abstract. But in the tradition of painting it in turn attached to a realistic object, the integration in the overall atmosphere in ascending.